Golden era: 1952-1975

During this period, Bengali cinema enjoyed a large, even disproportionate, representation in Indian cinema, and produced film directors like Satyajit Ray, who was an Academy Honorary Award winner, and the recipient of India’s and France’s greatest civilian honours, the Bharat Ratna and Legion of Honor respectively, and Mrinal Sen, who is the recipient of the French distinction of Commander of the Order of Arts and Letters and the Russian Order of Friendship.

Other prominent film makers in the Bengali film industry at the time included Bimal Roy and Ritwik Ghatak. The Bengali film industry has produced classics such as Nagarik (1952), The Apu Trilogy (1955–1959), Jalsaghar (1958), Ajantrik (1958), Neel Akasher Neechey (1959), Devdas, Devi (1960), Meghe Dhaka Tara (1960), the Calcutta trilogies (1971–1976), etc. In particular, The Apu Trilogy is now frequently listed among the greatest films of all time.

The most well known Bengali actor to date has been Uttam Kumar; he and co-star Suchitra Sen were known as The Eternal Pair in the early 1950s. Soumitra Chatterjee is a notable actor, having acted in several Satyajit Ray films, and considered as a rival to Uttam Kumar in the 1960s. He is famous for the characterization of Feluda in Sonar Kella (1974) and Joy Baba Felunath (1978), written and directed by Ray. He also played the adult version of Apu in The World of Apu (1959), also directed by Ray. One of the most well known Bengali actresses was Sharmila Tagore, who debuted in Ray’s The World of Apu, and became a major actress in Bengali cinema as well as Bollywood.

The pioneers in Bengali film music include Raichand Boral, Pankaj Mullick and K. C. Dey, all associated with New Theatres Calcutta. Other famous playback singers in Bengali film music were Hemanta Mukherjee, Shyamal Mitra, Manna Dey, Sandhya Mukhopadhyay and Kishore Kumar.

Jalsaghar (1958)

history movies

This is History story of the movies starting

Pather Panchali (1955)

The history of cinema in Bengal dates back to the 1890s, when the first 

“bioscopes” were shown in theatres in Calcutta. Within a decade, the first 

seeds of the industry was sown by Hiralal Sen, considered a stalwart of 

Victorian era cinema when he set up the Royal Bioscope Company, 

r shows at the Star Theatre, Minerva Theatre, Classic Theatre. Following a 

long gap after Sen’s works, Dhirendra Nath Ganguly (Known as D.G) 

established Indo British Film Co, the first Bengali owned production 

company, in 1918. However, the first Bengali Feature film, Billwamangal, 

was produced in 1919, under the banner of Madan Theatre. Bilat Ferat w

s the IBFC’s first production in 1921. The Madan Theatre production of Jamai 

Shashthi was the first Bengali talkie.A long history has been traversed 

since then, with stalwarts such as Satyajit Ray, Mrinal Sen and Ritwik 

Ghatak and others having earned international acclaim and securing thei

r place in the movie history bangla cinema

Silent era: 1919-1930

Hiralal Sen is credited as one of Bengal’s, and India’s first directors. 

However, these were all silent films. Hiralal Sen is also credited as one of 

the pioneers of advertisement films in India. The first Bengali-language 

movie was the silent feature Billwamangal, produced by the Madan Theatre 

Company of Calcutta and released on 8 November 1919, only six years after

 the first full-length Indian feature film, Raja Harish Chandra, was released.

The early beginnings of the “talking film” industry go back to the early 

1930s, when it came to British India, and to Calcutta. The movies were 

originally made in Urdu or Persian as to accommodate a specific elite 

market. One of the earliest known studios was the East India Film Company. 

The first Bengali film to be made as a talkie was Jamai Shashthi, released 

in 1931. It was at this time that the early heroes of the Bengali film industry 

like Pramathesh Barua and Debaki Bose were at the peak of their 

popularity. Barua also directed a number of movies, exploring new 

dimension in Indian cinema. Debaki Bose directed Chandidas in 1932; this 

Mukul Bose found out solution to the problem of spacing out dialogue and 

frequency modulation.

Rise of the Talkie: 1931-1947

The contribution of Bengali film industry to Indian film is quite 

significant.First bengali talkies Jamai Shashthi (as short film) was released 

11 April 1931 at Crown Cinema Hall in Calcutta and First bengali talkies as full

 length feature film Dena Paona was released 30 December 1931 at Chitra 

Cinema Hall in Calcutta Based in Tollygunge, an area of South Kolkata, Wes

t Bengal and is more elite and artistically-inclined than the usual musical 

cinema fare in India.

Links:

History of Bengali Cinema
Indian Bengali Cinema
HISTORY OF BANGLA CINEMA

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Indian Bengali Cinema

Bengali cinema refers to the Bengali language filmmaking industries in the Bengal region of South Asia. There are two major film-making hubs in the region: one in Kolkata, West Bengal, India (Indian cinema) and the other in Dhaka, Bangladesh (Bangladeshi cinema). Today, there are two Bengali-language film industries: the one in Kolkata, West Bengal, India (the Cinema of West Bengal, sometimes called Tollywood, a portmanteau of the words Tollygunge and Hollywood), is one of many centres for Indian regional filmmaking; and the other one in Dhaka, Bangladesh (the Cinema of Bangladesh, sometimes called Dhallywood, a portmanteau of the words Dhaka and Hollywood), is the mainstream national film industry of Bangladesh, see cinema of    bangladesh  (by Life as Fiction)

The cinema of West Bengal  refers to the Tollygunge-based Bengali film industry in Kolkata, West Bengal, India. The origins of the nickname Tollywood, a portmanteau of the words Tollygunge and Hollywood, dates back to 1932. The industry is known for producing many of Indian cinema’s most critically acclaimed Parallel Cinema art films, with several of its filmmakers gaining international acclaim, most notably Satyajit Ray.

Etymology

The film industry based in Kolkata, West Bengal, is sometimes referred as “Tollywood”, a portmanteau of the words Tollygunge, a neighbourhood of Calcutta where most of the Bengali film studios are located, and Hollywood. Tollywood was the very first Hollywood-inspired name, dating back to a 1932 article in the American Cinematographer by Wilford E. Deming, an American engineer who was involved in the production of the first Indian sound film. He gave the industry the name Tollywood because the Tollygunge district in which it was based rhymed with “Hollywood”, and because Tollygunge was the center of the cinema of India as a whole at the time much like Hollywood was in the cinema of the United States. Tollywood went on to inspire the name “Bollywood” (as the Bombay-based industry overtook the one in Tollygunge), which in turn inspired many other similar names.

Dena Paona (1931)

India bengali cinema

INDIAN BENGALI CINEMA

Indian Cinema List

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The Cinema of Ritwik Ghatak (by Vikram)
Best Malayalam Cinema (by Kolar)
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Cinema INDIA: A DOCUMEFAVOURITE INDIAN FILMS (by Kenji)
Literature in Indian CinemaNTARY HISTORY (by apursansar)
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